In 1998, I was attempting to put out a 5th issue of my zine Marketing Ploy. I did a small run of the first 4 issues since they were mostly just for friends. Although, the last issue published issue (Vol. 2/Number 2) got reviewed in Factsheet Five and was supposed to be distro-ed by some guy in Colorado but that dude was a total rip-off. The article I wrote in the last issue "Torn Between Two Turnbuckles: Pro Wrestling: Then vs. Now" ended up in The 3rd edition of book The Zine Yearbook.
My article was alongside some interesting stuff like a Glen E. Friedman interview, a new technology in the workplace piece, and Mike Mannix's excellent "Bang your head to this!" (via Alice is an Island zine). His artcile dealt with masculinity and sexuality in the metal scene. A few months after the Zine Yearbook was published I met Mannix and editor of A.I.A.I zine/his friend Robyn. Robyn was also an occasional columnist in Heartattack zine - which was the 1st place I knew of that championed for better or worse) the then-underground metal-core and screamo, emo scenes. This was also going on around the time that KZSU was playing a lot of this stuff i.e. - Lifetime, Hoover, Converge, Cave-In and so on...
Although I only met Robyn and Mike once the way I met them is unforgettable. We were at Gilman Street and well, I can't actually remember the show lineup maybe that night. Uh, maybe something like Noothgrush/Deadbodieseverywhere and Benümb ? Anyway, I was standing next to Mike, Robyn and a German friend of theirs when I heard:
Mike: "what do you mean you don't like Accept?
German friend: "Nooo, they're terrible"
Mike: "c'mon dude - Balls to the Wall?!?...Restless and Wild"
Robyn: "Fast as a Shark"
Me: "Excuse me are you talking about Accept?"
Mike: "Yeah..."
(Talk goes into other Accept albums and WTF was with Russian Roulette and the Udo-less Eat the Heat?)
A few minutes later, Mike was complaining about the in-between band music which was some so-so pop-punk. He was shaking his head in disgust while making sarcastic remarks about said band to Robyn. I asked what band it was and he said "Discount". which just too poppy & saccharine for tonight's hardcore/grind & sludge lineup. I also found out that Mike had a record label called Ellington which released early stuff by Ire (who got airplay on Leia Organa's "From the Darkside" show on KFJC), Converge and Shadows Fall.
Summer of 1997, I was involved in the West Bay/Peninsula scene from making flyers and attending shows along with sometimes schlepping equipment for my friends "dork-core" band, Slobber. A number of the Slobber and other punk/metal shows were in the backyard of B Street Music in San Mateo. The backyard fit about 35-40 people and had a little stage set up. The shows ran from Memorial Day to Labor Day weekend. So, with Labor Day being the final one they booked a "mega-show" with 8 bands.
Made at Jungle Copy in downtown Palo Alto when I was on my lunch from my stupid-ass sales job.
Breakdown of the bands:
On Mars - Riot Grrl-ish punk from Redwood City, released a tape and were around for all of a month & a 1/2 ? Lipids - San Mateo weird Minutemen-ish/almost prog maybe even new wave stuff? Anti-Core -Demented Dadaist art-noise made by one loon from Jacob Ham and the other from Slobber. Brick - Heavy AmRep/mid-paced rockin dudes from Fremont who shared members with... Christian Prohibition - Rapid, sometimes messy power-violence-ish / heavy hardcore mix. I'm not sure if either them or Brick recorded anything. C.P.'s vocalist picked up the Examiner with the headline "Princess Diana dead from carcash" and said in his sarcastic voice: "oh I'm sooo saaad boo fuckin' hoo!" and then went into some song against churches. R.W.S. - I'm not even sure if these guys had a proper acronym or what but it wasn't Red Wood Sity. They did silly power-violence/death-grind stuff that had titles like "Claire Danes" (this was during her My So Called Life-era) and "My Village was Attack by Vikings" followed by "My Village was Attacked by Emperor". I saw these guys a few times later with Godstomper and with... Cathy Ames - San Jose kids that were pretty damn ragin'! Fast & gnarly heavy hardcore that REALLY went under the radar. I was lucky to see them on this show as well with Godstomper and RWS a few months later in East San Jose at Musicians Warehouse (another short-lived South Bay D.I.Y. space). Their guitarist Alex was SUPER into Slayer and did a total Clark Kent into Superman transition as before their set we were talking and he was this mellow guy in glasses and an army jacket that was just talking about guitars and his fave metal bands. Then he got on stage and his hair went outward about a foot in each direction and out came the Slayer shirt and onward to headbangin' fury. OK, now here's the interview I did with them.
UPDATE DEUX: I saw Cathy Ames play for a 3rd time in Fall 1997 with some dull Pantera-ish band called Resin, Godstomper and Noothgrush at the Cactus Club in SJ. I last ran into Alex sometime around 2005 at a High on Fire show in San Jose. He told me that Fenny was in Seattle working at an art gallery. Prior to Cathy Ames bassist Pat was in pretty cool, raw punk band called Charity Case. Alex was in the grind/death band Ragweed, and the deathcore-ish before deathcore act, San Resina - both of whom I saw in 2001 at the Silicon Valley Metal Fest (which actually ran 3-4 years in a row but unfortunately got overloaded with shitty "goregrind" bands). He's currently plays for SJ heshers, Beerijuana.
First things first - this blog hasn't bit the dust but I have been working on other things and trying to sort out everyday life junk since last time. But I have a bunch of backlogged posts and ideas for posts one of which is this.
In punk and metal there's several bands with "Brats" in their name - so I'm gonna sort 'em out for ya.
Let's start in Denmark with the short-lived but tremendously underrated Brats. These Danish Brats started in 1977 not long after the UK & US punk explosion. Their releases span just 2 years but in this time they moved from raw punk, to a combination of punk & hard rock to heavy metal.
Their line up originally had just 1 future Mercyful Fate member - Hank Sherman known then under his "nom du punk", Hank De Wank. The rest also had punkoid names: Franz De Zaster on vocals, Mikey Rat on bass and Eddie Haircut on drums. Between the these first two line-ups they released: 1 LP, a split 7" and had an LP worth of material from the early days that thankfully was released in 2008.
The Brats first official release is 3 tracks on the Dane punk comp. Pære Punk (Pear Punk? not 100% sure about this translation). Their 3 tracks on the comp: "Dreams", "I Do What I Wanna Do" and "Magazine" are all filled with great riffs, raw Ramones-y/Rotten-y vocals and super catchy parts. Much of this proves that punk didn't die after 1978 as it was plenty alive int the rest of Europe and of course continued in the US & UK if you just looked beyond the generic history (i.e, "Sex Pistols break up = punk is dead").
Other early songs showed up later on several 1990s punk compilations such as: 1997's Bloodstains Across Denmark and1998's Springtime In Belsen. Of course being an obscure punk act they show up on Hell, Norway's finest compilation(s): Killed By Death - in this case #007. This KBD comp also features The Cleavers from Portland who I wrote about on my other blog.
The line up changed in 1980 with Hank playing guitar alongside Michael Denner, (Lars) Monroe on drums (plus the occasional synth and piano) as well as new vocalist Yenz (Leonhardt) on lead vocals.
The 1980 Brats album is much light years ahead in production and song structure. In part this had to do with being on a major label, CBS. CBS who would also sign fellow Danes, Pretty Maids several years later. During their time with CBS (which was really the Dutch division which unfortunately didn't expand into the UK or US) - Brats released a split 7" with the short-lived act, Tyrantz. There's at least 3 different versions of that split 7" shown here. The band sold a good amount of record (I dunno the exact number) in France and also got some radio play in The Netherlands. The Dutch CBS also put out the Brats 1980 LP. (Collector nerd note: first pressings came with a sticker.)
The 1980 songs mix the original punk energy with often longer songs - the shortest being the excellent "Punk Fashion" clocking in 1:34. The mellow intro into fast and bombastic riffing of the 2nd track "Tame Me (Insomniac)" has a chord progression that's foreshadows build up on Mercyful Fate's "Come to the Sabbath". The poppier mid-paced "B-Brains" recalls the Damned crossed with the NY Dolls - especially in Yenz's vocals. Other things that reference their Fate-ful future are the church bells in the long, semi-ballad "Complex (Don't Destroy Me)" and the lyric "you are the future/the next decade is yours/there'll be 1000's of maniacs/and they won't find no cure."
The short-lived and very appropriately named Danish label, Diamond Records released 1980 Brats on CD. I luckily was able to score a copy of this around 2002 at Rasputin's in Campbell, CA. Prior to this Brats were a band I knew of and every once awhile you'd see bootleg tapes of theirs at the original Berkeley Rasputin's Records (Telegraph Ave location next to Bank of America) but paying $8-$10 for 1 tape was out of my range then - even if it was filled with killer Denner/Sherman riffage.
The last Brats line up had new vocalist King Diamond from short-lived hard rockin' proggers, Black Rose. The band also saw Michael Denner placed by new 6-stringer Carsten Van Der Volsing. They recorded an album-length demo in January 1981 which wound up on bootlegged tapes that got traded around a bit as Mercyful Fate's popularity grew in the early 80's. As for the change to a more metal focus sound Hank said in an interview with Snakepit magazine:
It was specially my progression into the heavier stuff and of course King's vocals so it was a very natural transition. Also remember IRON MAIDEN and other band started to hit the scene and of course that also inspired us.
More metallic 2nd-era line up
King-era Brats or super early Fate (note the cross is right-side up)?
1981 Flyer from Denmark (I wonder if this is the Swedish Overdrive on the bill)
Several of the demo tracks became Fate songs. The neat thing about these changes between Brats and Mercyful Fate is how many different versions there are. In some cases, there's 2 different versions of what later became an album track on Return of the Vampire, Melissa and Don't Break the Oath.
Brats 1981-era songs and their various "Fate-ful" incarnations:
Some Day = On a Night of Full Moon -> Desecration of Souls
Death Kiss = Walking Back to Hell - > A Dangerous Meeting
Love Criminals -> Into the Coven
Nightriders -> ; Curse of the Pharaohs
Powers of Darkness -> Return of the Vampire.
Few metal bands aside from Hellhammer had a similar song writing process. For more see/hear Hellhammer's - Demon Entrails of the band's 1983 recordings and the Celtic Frost's - Demos '84 & '85.
Yenz later showed up in all sorts of bands. First with the chee-zee Geisha.Their song "Shock Rock School" is a "should been in a B-movie" soundtrack. Other members of Geisha had connections with King Diamond's solo band and Motörhead as Mickey Dee was once the drummer. Geisha comes off like the Danish version of Helix for what that's worth (3 kroner?). Dumb & slightly rockin' and at least sometimes fun. Later Yenz was in power metallers, Iron Saviour, and goth-cheese meisters, Lacrimosa.
In 1973 Hollywood had the rather good proto-punkers Berlin Brats. Berlin Brats' sound is a rawer mix of the dirtiest side of the Stones and NY Dolls. They were called by Rodney Bingeheimer "The West Coast's first Punk Band". Their song "(I'm) Psychotic" uses a similar call out chorus as The Sonics' "Strychnine" and the spelled out bit 'ala W.A.S.P. "L.O.V.E. Machine".
Their last show was headlining S.F.'s Mabuhay Gardens with the Avengers. Their break up lead to another rather good and also overlooked West Coast punk act, The Mau-Maus.
Hollywood Brats - Pretty boys with an ugly rep.
'Round the same time of the Berlin Brats, Tinseltown had the Hollywood Brats who had the incredible "punk as fuck before punk" tune "Sick on You". Hollywood Brats were underground shock-rockers who according to RiffRaff.net:
were banned for like for puking in the drinks and throwing an ashtray at Bryan Ferry's head
The (Hollywood) Brats showed nothing but contempt for the audience. Men wanted to fight them. Crowds tried to beat them.
Hollywood Brats' mayhem continued with a load more of controversy on the local scene. I wonder if their crazy antics would continued had they crossed paths with the Berlin Brats? Or any of these other Bratty bands.
Over in Detroit there was the glam punk of the Trash Brats. The Trash Brats started in 1986 and ran 'til 2002 (with a few reunion shows in 2010). Trash Brats mixed the catchy chorus of Hanoi Rocks and the riffing of the classics like NY Dolls/The Heartbreakers and at times overlapped with mid-paced pop-punk with actually pretty good results. Weirdly they opened for Kid Rock in one of the bigger venues in Detroit and appeared on a garage rock comp back in '86 under the name Brat. There's a good interview with at the Detroit Metro Times. This one's below is a killer pure punk tune.
Going back to Denmark and the modern-era we have Scavenger Brats who have a tune of rather rippin' thrash metal that mixes (proper-era) Slayer, Dr. Know, Sacrifice (Canada) and The Accüsed. Scavenger Brats have also been named checked in the "new wave of whatever the fuck it is" scene in Kopenhavn.
During coke n' spandex-era Hollywood were the "not quite from Flatbush", Brookyln Brats - Their sound was the bog-standard "American" hard rock/lite metal. Lots of groggy mid-paced tunes with the mechanical echoing drums and really dumb, uninspired choruses - 'ala every KISS record in the 80's. Swimming somewhere between a dull ocean of early 80's KISS, Quiet Riot and Whitesnake. There's a few "almost" moments on "We Live to Rock" but it's way too stuck on the chorus repeating 8000 times.
What in Hades? Marvel Comics, Tony Danza AND Brookyln Brats!?!?
I used to see this picture disc taking up space at Dublin, CA's The Record Factory between the Bathory and Black n' Blue LPs. The only one who championed these guys was Metal Forces, not-too-metal writer, Kelv Hellrazer Regardless of how far he's on the "false-o-meter" - I do admire that Kelv dug deep into the treacherously fluffy, Aqua-netted, tight trousered ditch that was 1980's hair farmer rock and A.O.R. Now more information than you require about Brookyln Brats.
If you still need cheese there's always New York's Battle Brat. Not only were these guys were cursed with an incredibly generic sound that floated somewhere between Icon/Dokken/Keel - they also had some of the worst album covers this side of Nuclear Blast's department of photoshop horrors. That said, they did have some OK speed metal tunes early on that come off like a discount Agent Steel.
Lastly, metal-archives has an entry for a circa: 2004 umlauted Chicago thrash act, The Bräts. While on the surface this isn't anything special check their lyric topics: Clones, Blood, Killing, Death, Rocking Out. Now the question is did they ever cover Alice Cooper's "Clones"?
Endnotes:
1) Denmark's Brats info from the liner notes of 1980 Brats CD, The Lost Tapes - Copenhaven 1979 LP and Snakepit magazine No.14 - Hank Sherman interview. I have yet to hear or see anything on the other pre-Mercyful Fate-connected bands like Starchaser and King's other early band, Brainstorm. However, I can't forget the post-Brats/pre-Mercyful Fate band, Danger Zone. Danger Zone was Michael Denner's project after he left Brats. He decided to play with King, Hank, drummer "Old" Nick Smith & Timi "Grabber" Hansen. As the metal-archives entry says:
Michael Denner, Timi Hansen and (Ol') Nick Smith joined Hank Sherman & King Diamond in their new band Mercyful Fate.The rest is history...
2) Much more detail about the Brats vs. Mercyful Fate versions can be found in the massive Mercyful Fate/King Diamond article and interview in Chips & Beer magazine #2.
3) Carsten Van der Volsing - played with Mercyful Fate on their first two demos: March 1981 (where he played bass and guitars), April 1981 and Burning the Cross June 1981 demo). Benny Petersen (of early 80's speedsters, Evil who did a killer EP featuring a great advice tune called "Take Good Care of Your Balls") showed up on demo #3 and "Burning the Cross". We don't hear from 'ol Hank zee Wank again until the first s/t EP in September 1982.
5) Berlin Brats info from line notes to their CD, Believe it or Rot (1973-1976) via Rachet Blade Records.
6) Discogs mixes up the info for the Hollywood Brats & (Danish) Brats on their page for the The Whiplash Tapes comp and links the (Danish) Brats as the artist to "Be A Man".
7) "American" style production/sound was used as a generic catch all for "making a shitty, super-polished record" usually with a with full of bad ideas U.S.-producer: Michael Wagner's work with Motley Crue and Raven. Or when Krokus went from being a pretty good Swiss heavy rock/metal act (on Headhunter) to doing naff tunes exactly like every fluff rocker on the Strip.
8) Metal bands named Brat in it's single form also show up in metal-archives. One of which was from Largo, Florida between 1981-84 and sound like a mix between Armored Saint, early Jag Panzer & GWAR! (Well the occasionally the vocalist & the backing chorus reminds me of them). Check 'em out. The second Brat were from Philly and were ex-members the even more generic named The End.
9) No, I'm not gonna write about Da Brat. She's not exactly underrated. Same goes for the Lower Class Brats.
As you know YouTube can give you weird random selections/suggestions when you're searching for oh, say French Death Metal from 1996:
Or let's say you were looking for other Death Metal related stuff such as this early, overlooked Swedish stuff band, Exempt. It tells you to check out Three 6 Mafia. OK, maybe 'cause they're name is really 666 but musically totally, different head totally. That said, I wonder if Gangsta Boo is down with slithery, downtuned Morbid Angel meets early Unleashed style DM with a hankering for hammer-ons/pull-offs?
Another unintended random barrel o' laughs was this top suggestion I got whilst going through the band who's name can't-be-pronounced-unless-done-with-a-raspy-kackle, Baxaxaxa.
Lastly, I wanted to note that I had a great experience with the previously mentioned band Asgard. I played them a few times on my old show on KZSU, "Bloodstains Across Atherton" and about a year later my friend who was then the Metal Director got an e-mail from Xavier's Asgard's bassist, which was really cool. Makes up for all the times that I thought no one was listening or gave a shit.
Bloodstains Across Atherton-Half Ass edition 8th August 2009 HERE
Note: the opening track starts mid-way through and unfortunately the Lifelover track cuts off. Also, I had a trainee DJ named Nate on with me. He now has his own show late on Tuesdays
Playlist:
Samothrace - Cacophony - Life's Trade Kylesa - Said And Done -Static Tensions Isis - Threshold Of Transformation - Wavering Radiant Sunn O))) -Big Church [Megszentségteleníthetetlenségeskedéseitekért] - Monoliths And Dimensions Harvey Milk - Old Glory - COLL: Oaken Throne Zine CD comp #5 Rome - Flight In Formation - Flowers From Exile Swans - Will We Survive? - Various Failures 1988-1992 Beyond Dawn - Certain Qualities- Electric Sulking Machine Lifelover - Mental Central Dialog - Konkurs
This isn't the entire show but it's the last hour, where I crammed in a lotta tunes- a number of which are on old-ass vinyl. So "digital perfection" this is NOT, just turn it UP!
Playlist:
Nomad, Naz & the Nightmares - Action Woman - Give Daddy the Knife Cindy The Mummies - Test Drive - Play Their Own Records The Rippers - Mr. Jones - Why Should I Care About You? Pentagram - Be Forwarned - First Daze Here: The Vintage Collection ZZ Top - Precious And Grace - Tres Hombres Brutal Truth - Fist In Mouth - Evolution Through Revolution Agoraphobic Nosebleed - Moral Distortion - Agorapocalypse Born Dead Icons Burden/Unlearn - Unlearn 7" D.R.I.God Is Broke - Dealing with It Cryptic Slaughter - Lowlife - COLL: Speed Metal Obliveon - The Scrutinizer - COLL: To Live Is To Ever Be In Danger/Whimsical Uproar demo Janitor Joe - KCL - Bullethead/KCL 7" Tervet Kadet - Outo Maa - COLL: Welcome to 1984 Ohlo Seco - Nada - COLL: Welcome to 1984 Smelly Tongues - Parasite - Hard To Believe: A Kiss Covers Compilation Skin Yard - Snowblind - Hard To Believe: A Kiss Covers Compilation
Today my show at KZSU was a suprise. The first hour went as usual, slow while I played a bunch of noisy/experimental stuff most of which worked. Eventually I move into the complicated prog of Uplison Acrux and the groovy 70's jams of Fuzzy Duck. I expected people to be tune out or at least maybe there was one weirdo listening.
Sure enough the moment I switched from "Pretty Much Metal" (Pelican) to REALLY FUCKIN' METAL (Dekapitator) everything changed. OK, I was also giving away tickets to see Megadeth at the Warfield but work with me here. Last week I tried to give away tickets to the same show and no one called. WTF? Last week I made it super easy, no trivia question or lame contest, just "be my second caller". I didn't even get a first caller.
Today the exact opposite happened. Right as I had the Dekapitator ready to go they were calling. I suppose if you make a recognizable "call to "battle" like "Alright you heshers and thrashers...now, yes NOW is the time (phone rings on air) ok...not right now! So...if you wanna go see Megadeth at the Warfield be my first caller...here's Dekapi-tA-TOOOOR!"
I actually made it even easier and gave 'em away to the first caller. There were 4 callers after him. I was flashing back to the intensity of 20 calls an hour of KSJS' "Brain Pain" (circa: 1992-93). I halfway expected the dudes (yeah they were all dudes) who rang up after the winner to call me "dudeplaySlayer". I've been referred to as such, I hold that in high esteem. Among the metalheads that called I got requests for Gwar, Soilwork, Light This City and Graf Orlock, which we didn't have, only one DJ seems to have that. Me thinks I should get off my ass and actually go see them play & nab their CD. I threw in Overkill, and a bunch of new stuff from an (un)holy Swedish trinity: Entombed, Candlemass and Marduk.
If that weren't enough - my friend & fellow Kevin Sullivan afficionado, Soy Ricardo called me to tell me a number of things he liked. Señor Ricardo does a really awesome show on Thursday mornings from 6-9am. His show is like what college/non-commercial radio should be: unpredictable, ever changing, weird and downright fun. There's nothing like hearing Totalitar at 7:15am while you're shaving.
I've made an attempt to give out the number for the station more often and try to improve my skills as a DJ. Even though it's been 10 years at KZSU (and 4 in the early 90's at KSJS) I'm still not a perfectionist. Some people in college/non-commercial really care, often too much about arcane facts like how many people are streaming the station. I pay a little attention to these things. However, it's more about that one guy or girl that calls and tells me they like what I do whether it's one of my good friends or a complete stranger. This is what's important and this is what's real.
"I don't care if we play in front of two people or two thousand people if someone likes us that's great" - Steve Albini, Big Black sometime in the 1980's
